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Siliconicity: Yozmit and Performing a Trans Asian Horizon

Ali Na

Abstract:This essay theorizes through the performance and video art of the artist Yozmit. Working through an idea of trans Asian futurity, it builds on queer of color critiques, trans studies, and feminist scholarship in order to think through a transnational approach to Asian and Asian American per... Ausführliche Beschreibung

PPN (Katalog-ID): fidlizenzen_muse_765421
Zeitschriftentitel: Theatre Journal
1. Verfasser: Na, Ali
Medienart: E-Artikel
Jahr: 2020
In: Theatre Journal Vol. 72, Issue 3 1920, pp.277-290
ISSN: 1086-332X
0192-2882
Umfang: 14 Seiten
Links: Full text
Volltext: Zur Publikation (via Zeitschriftenseite*)
Zur Publikation (Direktlink*) doi: 10.1353/tj.2020.0063

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520 3 |b Abstract:This essay theorizes through the performance and video art of the artist Yozmit. Working through an idea of trans Asian futurity, it builds on queer of color critiques, trans studies, and feminist scholarship in order to think through a transnational approach to Asian and Asian American performance as cultural intervention. In this endeavor, the essay offers the concept of siliconicity to draw out the potential of Yozmit’s performances to enact and work toward a “trans Asian horizon.” Doing so provides an opportunity to read into cultural history as a mode of contextualizing the political stakes of siliconicity. As a critical and minoritarian concept, siliconicity animates silicone, which inscribes feminine and trans bodies, in order to provide alternatives to the normative and transnormative ideal body. Siliconicity enacts a queer trans worldmaking otherwise by attending to the complexities of cultural pressure in transnational East–West and East–East exchanges. The essay assembles a set of tactics for reading and performing beyond the political limitations of the here and now 
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