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Dall'isola di Solentiname all'isola di Patmos: apocalissi (dis)velate

The nineteenth-century Spanish American apocalyptic discourse ñ particularly the one developed after the military dictatorships of the 1970s and 1980s ñ is revealed as a language with a strong political connotation, providing alternatives to the dominant logic, and questioning hegemonic spaces of po... Ausführliche Beschreibung

PPN (Katalog-ID): dialnetart_4962514
1. Verfasser: Nanni, Susanna
Medienart: E-Artikel
Sprache: Italienisch
Erschienen: 2013
Schlagworte: Julio Cortázar
Jorge Volpi
rivelazione
distruzione
dittature latinoamericane
In: Altre Modernità: Rivista di studi letterari e culturali Nº. 1 (2013), Seiten 466-477
ISSN: 2035-7680
Links: Weiterer Link
Volltext: Volltext (via Zeitschriftenseite)

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520 # # |a The nineteenth-century Spanish American apocalyptic discourse ñ particularly the one developed after the military dictatorships of the 1970s and 1980s ñ is revealed as a language with a strong political connotation, providing alternatives to the dominant logic, and questioning hegemonic spaces of power. Apocalypse, in its double meaning of ìdestructionî of an ancient order and ìunveilingî of hidden truths, does not only characterize the themes of the contemporary literary production, but also its forms. Implying an ìapocalypticî discursive structure, the crisis thus becomes permanent. Starting from this premise, the essay takes into account some representative Spanish American literary works of the last three decades, paying special attention to Julio Cort·zarís short story ìApocalipsis en Solentiname,î and Jorge Volpiís novel El juego del Apocalipsis. In both texts, the apocalyptic ending is strictly related to the beginning: the incipit inexorably anticipates the conclusion in terms of both the apocalyptic theme and discourse. In Cort·zarís short story, apocalypse does not emerge in the course of the narration but it anticipates the (uncertain) interpretation of the ending, manifesting itself as a ìfantasyî strategy. In Volpiís novel, eschatology as the end of history appears throughout the narration as a pattern forging the charactersí fate. The apocalypse that is inborn in everyone of us (our dark side), is unveiled and represents the end of history 
542 # # |f LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: http://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: http://dialnet.unirioja.es/info/derechosOAI 
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