schliessen

Filtern

 

Suche

La représentation de l'espace théâtral à l'âge classique : les vues théoriques confrontées à la dramaturgie racinienne dans Esther

The classical drama theory in France reduces the properly dramatic space (classical unity). The tragedy is supposed to take place in close boundaries defined by the proportion of the proscenium. The concentration to which the drama tends in the second half of the 17th century in France results from... Ausführliche Beschreibung

PPN (Katalog-ID): dialnetart_4265552
1. Verfasser: Suman, Závis
Medienart: E-Artikel
Sprache: Französisch
Erschienen: 2011
Schlagworte: Jean Racine
abbé d'Aubignac dramatic space
seventeenth century French literature
In: Etudes romanes de Brno Nº. 1 (2011), Seiten 107-119
ISSN: 1803-7399
Links: Weiterer Link
Volltext: Volltext (via Zeitschriftenseite)

Internes Format
LEADER 00000nma a2200000uu 4500
001 4265552
022 # # |a 1803-7399 
041 # # |a fre 
100 1 # |a Suman, Závis  |4 aut 
245 0 0 |a La représentation de l'espace théâtral à l'âge classique : les vues théoriques confrontées à la dramaturgie racinienne dans Esther 
260 3 # |b Masarykova Univerzita  |c 2011 
264 3 1 |c 2011 
336 # # |a Text  |b txt 
520 # # |a The classical drama theory in France reduces the properly dramatic space (classical unity). The tragedy is supposed to take place in close boundaries defined by the proportion of the proscenium. The concentration to which the drama tends in the second half of the 17th century in France results from the considerable reduction of the role assigned to the imagination. D'Aubignac's major Pratique du théâtre builds up the conception of the classical drama on the criterion of verisimilitude. Nevertheless we show that the imagination is not as strictly dominated in dramatic récit. The analysis demonstrates the imbrication of constituent elements of dramatic language and the way how they construct the real unity of dramatic space in Racine's Esther. 
542 # # |f LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI 
650 # 4 |a Jean Racine 
650 # 4 |a abbé d'Aubignac dramatic space 
650 # 4 |a seventeenth century French literature 
773 0 # |t Etudes romanes de Brno  |g Nº. 1 (2011), Seiten 107-119  |x 1803-7399 
856 # 4 |u https://dialnet.unirioja.es/servlet/oaiart?codigo=4265552  |q application/pdf